Honoring a Great Artist
The death on August 19, 2000 of Goodman Associate Artistic Director Michael Maggio robbed the American theater of one of its most articulate and versatile directors. As the veteran of more than 60 productions in theaters around the country, Michael was a consummate artist who was equally at home in nearly any dramatic genre, from new plays to classics, grand scale musicals to intimate realistic dramas. The list of his Goodman Theatre credits recalls some of the most acclaimed productions in the theater's recent history: a landmark Romeo and Juliet, set in Chicago's Little Italy in 1919; the sumptuous Sondheim musicals Sunday in the Park with George and A Little Night Music; the frantic comedy of Keith Reddin's Black Snow; the haunting beauty of the musical adaptation of Wings; and the much-lauded world premiere of Rebecca Gilman's Boy Gets Girl. But there were some common elements to all of his work: a fascination with the human condition in all of its guises; an unerring grace and intelligence; and the passionate belief in the power of the theater to illuminate and transform. Michael directed a total of 22 productions at the Goodman, making him the most-produced director in the theater's modern era. In addition to his duties at Goodman, he served as the Dean of The Theatre School at DePaul University, which gave him the chance to pass his passion for excellence and his generosity of spirit on to another generation.
In recognition of Michael's artistry and his dedication to nurturing young artists, Goodman Theatre established the annual Michael Maggio Fellowship. The fellowship, which is awarded each fall, honors an early-career Chicago-based director, providing that artist with a stipend, an opportunity to assist one of the theater's resident directors on a Goodman production, and the chance to become involved in the ongoing artistic life of the Goodman. Past recipients of the Michael Maggio Directing Fellowship have included the following outstanding directors:
Applications for the fellowship are due on October 1st; applicants must be Chicago-based directors who have completed college training, and directed at least two professional (i.e., nonacademic) productions. Applicants should submit a resume; selected reviews of previous work, if available; at least two letters of reference from theater professionals or educators familiar with the applicant's work; and a detailed statement of personal and artistic goals, with a focus on how the fellowship could help the applicant achieve those goals.
Applications materials should be sent to:
Jorge Silva, Producing Coordinator
170 North Dearborn Street
Chicago, Illinois 60601